The body of work begins with circular movement

: figures gathered, dispersed, and reassembled into a shared formation.

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What appears as a collective choreography is also a structure of vision.

 

The gaze no longer belongs to a single point, but circulates across bodies, positions, and distances. Each figure is both seen and seeing, caught within a system where visibility is distributed rather than fixed.

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The circular formation suggests continuity and unity, yet it also implies containment. Movement becomes repetition; participation becomes positioning.

 

What resembles a communal act begins to reveal itself as a condition shaped by the organisation of sight.

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In this space, to see is not an act of freedom, but a condition one inhabits.