My practice investigates the contradictions of seeing in the digital age, where images feel increasingly close yet remain physically and sensorially inaccessible.

 

I am particularly interested in how contemporary visual technologies—such as satellite imagery and digital mapping—collapse distance while disrupting embodied perception.

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Working through painting, I focus on ambiguity as an active condition rather than a lack of resolution.

 

By bringing together radically different viewpoints—such as aerial perspectives and magnified fragments of natural forms—I construct pictorial spaces in which scale, depth, and orientation become unstable.

 

These images resist immediate legibility, inviting a slower and more attentive mode of looking.